The Hard Knock Script: Armchair Theatre at its best, or worst, depending on your point of view.
Tubal lends Shylock the three thousand ducats requested by Antonio. Appearances Are Deceiving Neither the gold nor the silver casket contains the key to winning Portia. Instead, it is the plain lead casket. Shakespeare expresses this theme—appearances are deceiving—in a message inside the golden casket.
The latter quotation can also apply to characters who tie their happiness, destiny, or status to money, including Antonio, Bassanio, and Shylock. Portia has charm, beauty, and intelligence—qualities that tend to hide the ugliness of her bigotry.
Revenge Shylock seeks revenge against his Christian enemies, but he suffers ruin after they unite to trick him. Perhaps he would have had more success if he had pursued justice instead of revenge. For their part, the Christians—heady from their courtroom victory—take revenge against Shylock, seizing his property and forcing him to become a Christian.
Bigotry Christians alienate Shylock simply because he is a Jew.
In ancient, medieval, and Renaissance times, Jews almost always encountered prejudice from non-Jews around them. Scholars are divided on whether Shakespeare, in The Merchant of Venice, was attempting condemn anti-Semitism by sympathizing with Shylock or approve of anti-Semitism by ridiculing Shylock.
It may well be that Shakespeare was simply holding a mirror to civilization to allow audiences to draw their own conclusions. An essay in this study guide contends that Shakespeare wrote The Merchant of Venice partly to condemn the moral and ethical values of errant Christians in their treatment of Jews.
Her "quality of mercy" speech 4. She lectures Shylock and the court on the importance of mercy even though she herself is unwilling to show mercy. Then she cleverly tricks and ruins Shylock without showing a hint of remorse.
All the while, she wears a disguise as a male attorney, deceiving everyone in the courtroom but her partner in deceit, Nerissa. Climax and Conclusion The climax of a play or another literary work, such as a short story or a novel, can be defined as 1 the turning point at which the conflict begins to resolve itself for better or worse, or as 2 the final and most exciting event in a series of events.
According to both definitions, the climax occurs during the trial in the first scene of Act 4, when Portia thwarts Shylock's attempt to gain revenge against Antonio.
Conflicts The main conflict centers on the hostility between the Jewish moneylender Shylock and the Christian anti-Semites, in particular Antonio and his friends. Because the Christians continually ridicule him, Shylock seeks revenge against them.
He gets an opportunity for a gruesome form of revenge, but the Christians thwart his efforts with Portia's clever legal maneuvering in a courtroom presided over by the duke of Venice. Other conflicts focus on Shylock and his rebellious daughter, as well as on Bassanio and prodigality.
Tone Since the play is a tragicomedy, it has overtones of both tragedy and comedy. The tragic events center on the bitter confrontations between the Jewish moneylender Shylock and the Christians. These events end with the ruination of Shylock. The comic events center on the progress of romances between Bassanio and Portia, Gratiano and Nerissa, and Lorenzo and Jessica.
The three couples marry and presumably live happily ever after. Launcelot Gobbo's malapropisms, such as the use of impertinent for pertinent 2.The Revenger's Tragedy [Dramatis Personae in order of appearanceVINDICI, the revenger, sometimes disguised as Piato HIPPOLITO, his brother GRATIANA, his mother CASTIZA, his sister DUKE Two JUDGES DUCHESS LUSSURIOSO, the Duke's son by a previous marriage AMBITIOSO, the eldest of the Duchess's three sons by a previous marriage SPURIO, the Duke's bastard son.
Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around – as a Twelfth Night's entertainment for the close of the Christmas season.
The play centres on the twins Viola and Sebastian, who are separated in a benjaminpohle.com (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Essay on Deception in Much Ado About Nothing by William Shakespeare Deception in Much Ado About Nothing by William Shakespeare Shakespeare was born in , in Stratford-upon-Avon.
Shakespeare did not go to university but worked. As You Like It Please see the bottom of the page for extensive explanatory notes and other helpful As You Like It resources.
Check Your Work-I'm getting pretty good at benjaminpohle.com's because every day my son Steve and I have a little math session.
This often happens when characters are forced to reenact a specific event in hopes that it will have the same consequences. Often afflicts school rooms around the world where teachers have students read lines aloud, with the students not caring for the actual tone of the piece at all. Much Ado about Nothing was written by William Shakespeare in , towards the middle of his career and during the reign of Queen Elizabeth. Disguise and deception are used to great comic effect, as well as to drive the main and sub-plot forward. Deception in Much Ado About Nothing by William Shakespeare Shakespeare was born in , in Stratford-upon-Avon. Shakespeare did not go to university but worked.
He does his 30 junior high math problems, and I help him check them over. The Taming Of The Shrew - The Taming of the Shrew is one of Shakespeare’s most popular plays with characters that are appealing with humor and based on an understanding of human nature.